Here I will highlight a painting or paintings so that there is some information that I think you may find interesting about them, a chance to see what is behind them and what goes into them.

Quick reference index: (3) “Illuminated wave, Trebarwith” (2) “Rough sea against rock wall at Ogmore”,  (1)”Breaking wave at Porthcawl” 

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(3)

“Illuminated wave, Trebarwith” 70cm x 140cm acrylic on canvas

\"Illuminated wave, Trebarwith\" 70cm x 140cm acrylic on canvas.

One of the most important aspects of creating a scene like this (for me lets say), is to get the feeling of that place. This is taken from somewhere called Trebarwith Strand in the south west of Britain in an area called Cornwall. For us Welsh coming from the area I do in Wales, it’s probably just a matter of time that we will go there for our holidays, and Devon which borders it.

Trebarwith Strand is found on the west side, which means the Atlantic Ocean! It is full of rocks and cliffs and beautiful beaches, what can I say, it really is a great place for inspiration from the battling sea. This particular place has a natural funnel when it is high tide, but in the way of the sea getting to it are huge boulders directly in in its pathway. Imagine when there is a big swell all that water pushing in, pulling out, and in its pathway these big boulders. It is like a washing machine, creating some of the most amazing wave scenes I have seen, especially on that day because there was a big swell, and it was sunny.

Naturally the focus of such a painting will be that wonderful translucent green colour, but I wanted to show also the environment and the condition there of those currents and a little of what is creating them. The horizon line is hidden from view so that our focus is solely on that area of the wave and in front of it where its going to crash into.

The style of the painting is realistic of course but also with expressive lines and marks, also colours. It is a balance to work with loose and controlled applications of paint, with brush and with spatula (shaped), what to allow, what to not allow, and working with layers provoking character in the painting giving to it personality. It feels more “alive”.

I consider this art work to be very successful, it has a great harmony of the colours and the style, also the composition. The contrast provides a frame for the translucent wave with complimenting colours, and I have created a rock partially visible until it is again swamped by another wave. Before the wave the sand has made the sea a brownish colour whereas behind the wave is that beautiful blue colour. The sea foam from previous waves shows the intensity of the battle of water and stone sitting on the film of the water, a web dissolving and being created as an indication of passing time.

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(2)

“Rough sea against rock wall at Ogmore” 50cm x 50cm acrylic on canvas

I remember that day I went down to Southerndown and Ogmore, very rough sea which I loved, wilder the better! This part of the coast there is a big rock wall, not like a cliff, but steep enough. The sea was just beating against it, and I had on one occasion had to put my back to the sea and cover the camera with it tucked into my body as a shield as a hugs amount of spray came over the top right next to me. All along that section of the coast could be seen white water trying to battle their way over the rocks like a salmon jumping up a waterfall. That energy everywhere around me, fantastic. I managed to get some great photos that day for reference.

The challenging part of this painting was going to be to get that movement from the front of the painting where the rocks were to the back of the painting as it ebbed back out. The foam of course is a beautiful part of the type of work giving shape to the turbulence, so I had to be careful not to over or under do it. There is old and new foam, thick pieces and thin pieces, some more transparent than others, all telling the story and implying time. The angles of course are always very important in every painting, and in a painting such as this the three dimensionality is very apparent, so those angles need to be created to give that effect.

I approached this painting with a textural backgound, and a more realistic approach to it. I edited and refined this one quite a lot to give it a more sleek feel. Its black and white.

I think this painting is very interesting due to all of the action going on on this square piece of canvas.

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(1)

“Breaking wave at Porthcawl” acrylic on canvas 46cm x 111cm

This painting is of Porthcawl found on the South Wales coastline. Porthcawl has a history of holiday makers and still today it attracts people there with its different beaches to offer, a proud lighthouse and an interesting town. There is also a promenade to take an evening stroll while watching the sun set over the sea.

I enjoyed the many elements to this painting, the rocks in the sand peeking out as the foam from a previous wave moves around them back into the sea, where it is met with a shoreline wave ready to wash back over them. There is a little land to the right offering an interesting landmark, whereas to the  left of it there is nothing, only clouds to decorate the sky.

I wanted to create a painting with energy which is achieved with the technique and of course close observation. This encompasses both realism and expressionism together, bound by layers, woven together on the canvas. I want to celebrate brushstrokes, marks, but also to apply a certain delicacy too, careful not to miss the sensitive ornamentation found in a scene like this. I wanted also to be quite bold with some of the colouring, but sensitive too, again contrasting elements merged into this painting. The horizon practically empty is something that I enjoy to include in my art where possible, as that feeling of an endless sea fascinates me and reminds me of mother nature. It gives a place for thought, for wonder, for adventure!

The colour of sea is a “trademark” in this part of South Wales due to the huge amount of earth washed out of the banks of the Severn, a 220 mile long river stretching from the Cambrian Mountains of mid Wales, becoming the Severn Estuary after the second Severn bridge crossing which spans across from England to Wales. It then of course dissipates into the sea which is why there is a brownish look to the sea is this area. Travelling then towards Swansea and Pembrokeshire is clears completely.

Summary of the painting for me: Interesting format giving a wide berth feel to this piece of art, earthy colours with a partial blue sky and a good energy for this shoreline wave. A nice place to sit and relax listening to the small waves breaking and caressing the shore.

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